https://www.wildberries.ru/catalog/489601431/detail.aspx
Видео презентация нового салона сантехники и керамогранита. Если всмотреться в карту в начале ролика, в верхнем левом углу стадиона Самара-Арена, напоминающий летающую тарелку.
Собаку звали Lump, это был такса, принадлежавшая фотографу Дэвиду Дугласу Дункану. В 1957 году Дункан приехал с Lump к Пикассо на виллу La Californie в Каннах — и собака фактически выбрала Пикассо. Она осталась у художника на шесть лет. Пикассо действительно сделал Lump своей моделью. Он написал его портрет на тарелке прямо во время их первой встречи, а позднее включал таксу в свои работы. В серии переосмыслений Las Meninas Lump появляется 15 раз. Lump действительно был для Пикассо чем-то гораздо большим, чем просто домашний питомец. Фотограф Дункан даже передавал слова Пикассо о том, что Lump — не собака и не «маленький человек», а «кто-то другой».
Промпт. Use @[Image 1](image_1) as the exact first frame of the video. Preserve the composition, vertical 9:16 framing, location, girl, corgi, black folding chair, rocky riverbank, winding river, autumn trees, distant hills, golden-hour lighting, color palette and shallow depth of field from this image.
Identity references:
the girl reference card for the exact appearance of the girl;
the corgi reference card for the exact appearance of the dog.
The girl @[Image 2](image_2) stays identical: short brown hair, black baseball cap, white T-shirt, loose light-blue jeans, gray sneakers, same face, hairstyle, clothing and body proportions.
The corgi @[Image 3](image_3) stays identical: realistic corgi proportions, short legs, large upright ears, blue eyes, white-brown-gray coat, distinctive facial markings and recognizable muzzle.
SCENE
A young woman sits relaxed in the same black folding camping chair on a rocky riverbank during golden hour. The autumn landscape, river, golden trees, distant hills, warm sunset light and depth of field remain unchanged.
The corgi is at her feet in the foreground, in the exact starting position. It then slowly raises its head, shifts its body and sits upright at her feet. The girl stays completely calm and relaxed, with only subtle natural movements and a calm, slightly amused expression.
HERD ENTRANCE — MOTORCYCLE LAUNCH
At approximately 2 seconds a herd of cows suddenly erupts from behind the earthen ridge in the background.
They do not walk or trot into frame. They launch upward off the ridge like a pack of sport motorcycles hitting a jump — an abrupt, explosive takeoff. Their front legs are tucked, their bodies pitch forward and up, their heads point slightly downward toward the ground ahead. The group is dense and packed shoulder to shoulder, and every cow faces roughly toward the camera at the moment of launch. No cow is shown in profile during the takeoff.
The ridge sits higher than the camera position, so the herd rises above the girl's head and briefly hovers and looms above her, feeling massive, powerful and intimidating.
The entire sequence is shot in slow motion. The takeoff, the airborne moment and the landing all play out in slow motion, emphasizing the weight and mass of the animals.
A huge amount of dust explodes from behind the ridge at the moment of takeoff — a thick, dense, towering cloud that fills the background and drifts across the sunset light.
After landing, the herd sweeps past the girl and the corgi, running laterally across the middle ground and past them, continuing toward the opposite side of the frame. The cows pass at a safe distance from the girl, the dog and the chair and never touch, hit, trample or endanger them. The girl does not move or flinch. The corgi stays at her feet.
A massive dust cloud follows the herd as it passes, filling the midground and drifting into the foreground behind the girl and the corgi. The dust must feel enormous but must not obscure the girl or the corgi's face.
TIMING
0–2 sec: preserve the starting image almost exactly, no cows visible, calm landscape.
2–4 sec: the herd suddenly bursts from behind the ridge and launches upward in slow motion; a huge dust cloud erupts; the girl stays calm.
4–6 sec: the herd lands and sweeps past the girl and the corgi through the middle ground, engulfed in dust; the corgi sits upright, turns toward the herd and reacts with growing surprise.
6–9 sec: smooth, slow, controlled push-in toward the corgi's face. End on a close-up of its shocked face; the girl and chair remain softly visible behind it.
CORGI REACTION
The corgi notices the herd, turns toward it, raises its ears and becomes comically shocked but anatomically realistic: very wide-open natural blue eyes, visible white around the irises, raised ears, slightly open mouth and a bewildered expression. Funny, not grotesque.
CAMERA
Start with the exact camera angle, perspective and composition of Image 1. Stable cinematic camera, no handheld shake, no random movement. The only camera change is the slow controlled push-in toward the corgi in the final shot.
STYLE
Photorealistic cinematic comedy, realistic dog behavior, realistic cow movement, believable physics, natural fur, dense realistic dust, golden-hour autumn lighting, warm cinematic color grading, shallow depth of field, cinematic slow motion for the herd.
Duration: 9 seconds. Aspect ratio: 9:16 vertical.
В процессе учебы я сделала пару роликов про портативный вентилятор. В одном из них мама с дочкой поднимаются по лестнице в городе Котор, Черногория. https://rutube.ru/video/41effab0180bccc821f56f4ae1e1a72f/ И вот в октябре я его себе купила. Сделала еще один ролик, используя реальные фото коробки и вентилятора. Вещь интересная. Думаю, летом пригодится. Делала через два сториборда с референсами в seedance 2.0 mini: 10 секунд и 5 секунд.
На вебинаре преподаватель показал два интересных ролика студентов. Составила ему видео послание. Трудно оказалось добиться правильного ударения у слов "духи" и "колись". Запись в промпте не сильно спасли ситуацию. Слово «духи́» означает парфюмерию, аромат во флаконе. Ударение на последнем слоге: «хи́». Произнести слитно: /dʊˈxʲi/.
«Коли́сь» означает «рассказывай, раскрывай секрет». Ударение на последнем слоге: «ли́сь». Произнести слитно: /kɐˈlʲisʲ/.
Оба слова двухсложные. Первый слог короткий и безударный, второй — ударный. Эти пояснения не произносить. Не делать пауз внутри слов и не произносить их по буквам.
Зарисовка про тип обуви оксфорд. Теперь герой переносится из 2026 в 1931 на лекцию Эйнштейна в славный город Оксфорд.
Зарисовка посвящена типу обуви Оксфорд. Герой путешествует из 1931 года в 2026 год. В широком формате можно посмотреть здесь: https://rutube.ru/video/dde368198f1385a08a9ee761068ea43c/
Тренд 2026 года в плитке-травертин. Материал от которого веет временем. Прикасаясь к нему, прикасаешься к истории человечества. В широком формате можно посмотреть здесь:https://rutube.ru/video/5c065a517aea6d4d248b725cbbfb765d/
Собаку звали Lump, это был такса, принадлежавшая фотографу Дэвиду Дугласу Дункану. В 1957 году Дункан приехал с Lump к Пикассо на виллу La Californie в Каннах — и собака фактически выбрала Пикассо. Она осталась у художника на шесть лет. Пикассо действительно сделал Lump своей моделью. Он написал его портрет на тарелке прямо во время их первой встречи, а позднее включал таксу в свои работы. В серии переосмыслений Las Meninas Lump появляется 15 раз. Lump действительно был для Пикассо чем-то гораздо большим, чем просто домашний питомец. Фотограф Дункан даже передавал слова Пикассо о том, что Lump — не собака и не «маленький человек», а «кто-то другой».
Модный тренд в плитке в 2026 году-травертин. Прикасаясь к нему, вы как-будто проходите сквозь время в глубину веков. В широком формате здесь: https://rutube.ru/video/1d6e0dcdbf6f1aa3b92f558028a5d281/
Делала через сториборд. Ниже — готовый промпт для генерации **единого вертикального сториборд-листа 9:16**. Я выбрал 5 сцен по 4 секунды каждая.
Create one professional vertical storyboard sheet as a single image, aspect ratio 9:16, ultra high resolution, clean editorial layout, five numbered storyboard panels arranged as five horizontal cinematic frames stacked vertically from top to bottom.
Use @image1 as the primary visual reference for the overall style, visual language, characters, color palette, surreal product world, lighting and cinematic finish. Use @image2 as the exact reference for the female character: young woman with short brown hair, black baseball cap, white T-shirt, blue jeans and gray sneakers. Use @image3 as the exact reference for the corgi: blue merle coat, white face markings, very large upright ears, blue eyes and blue collar. Use @image4 as the exact reference for the corgi’s surprised facial expression. Use @image5 as the reference for ham sculptures, hamon roses and curled slices. Use @image6 as the reference for the monumental pyramid made of hamon.
Maintain strict visual continuity in every panel:
same woman, same outfit, same corgi, same facial features, same blue collar, same product appearance, same surreal architectural world, same luxury fashion advertising aesthetic. Cinematic hyperrealism, premium food advertising, surreal high-fashion editorial, futuristic arches, reflective surfaces, clouds, warm amber and rose-gold palette, deep burgundy hamon tones, soft blue sky accents, dramatic but elegant composition. Do not change the character design, dog breed, clothing, product texture or color palette between panels.
The final image must look like a real director’s storyboard sheet, not a collage of unrelated images. Each panel must have a clear cinematic composition and generous negative space for readable captions. Add subtle thin white borders between panels. Keep all captions in a clean bold sans-serif font, white text with a semi-transparent dark translucent caption box for maximum readability.
IMPORTANT TYPOGRAPHY RULE:
Inside EVERY panel, print large, crisp, perfectly readable English text consisting of exactly these three caption lines:
ACTION: ...
CAMERA: ...
LIGHT: ...
The three caption lines must be printed directly inside the corresponding panel, not outside the image. The text must be spelled correctly, fully visible, not cropped, not distorted and not replaced with gibberish. Put the scene number and timecode in a small but readable header at the top-left of each panel. Do not add extra production notes inside the panels beyond the scene header and the three required caption lines.
PANEL 1 — SCENE 1 — 00:00–00:04
Wide establishing shot. The woman sits calmly on a minimalist folding chair on a futuristic open platform beside the corgi. Several surreal black pigs fly rapidly across the frame in slow motion, carrying long flowing ribbons of thin hamon. Huge metallic arches, floating islands, clouds and reflective ground create an impossible luxury landscape. The woman looks composed while the surreal movement rushes around her.
Print inside the panel:
ACTION: Woman sits beside the corgi as flying black pigs rush past with flowing hamon ribbons.
CAMERA: Wide shot, slow lateral pan from left to right, cinematic parallax.
LIGHT: Warm sunset backlight from camera-right, soft amber rim light, cool blue fill from the sky.
PANEL 2 — SCENE 2 — 00:04–00:08
Extreme macro close-up of the corgi’s eye, using @image3 and @image4 for identity and expression. The glossy pupil reflects an impossible hamon paradise: hamon roses, miniature pyramids, fountains made of thin hamon slices and flying black pigs. The eye surface must be highly detailed, wet and realistic, with strong depth of field.
Print inside the panel:
ACTION: The corgi’s eye reflects a surreal hamon paradise.
CAMERA: Extreme macro close-up, slow dolly-in toward the pupil, shallow depth of field.
LIGHT: Focused warm key light reflected in the eye, soft amber highlights, deep cinematic shadows.
PANEL 3 — SCENE 3 — 00:08–00:12
Full surreal reveal of the hamon paradise. A magnificent fantasy landscape filled with hamon roses, monumental hamon pyramids inspired by @image6, tiered hamon cakes, fountains made of delicate curled slices inspired by @image5, floating black pigs and ribbon-like hamon strips. The world feels grand, luxurious, dreamlike and architecturally monumental, with the woman and corgi suggested as tiny silhouettes in the distance if composition allows.
Print inside the panel:
ACTION: A magnificent hamon paradise unfolds with roses, pyramids, fountains and flying pigs.
CAMERA: Grand wide-angle crane shot rising slowly above the surreal landscape.
LIGHT: Glowing golden-hour sunlight from behind the hamon structures, soft volumetric rays, warm reflective bounce.